The detailed programme concept can be found here.

Main subject organ
Performance of three to four works (one free and one chorale-bound work by Johann Sebastian Bach, one from the epoch before Bach and one from the epoch after Bach), sight-reading of easier models, chorale playing and chorale-bound improvisation.

Piano as compulsory subject
Performance of two to three works (e.g. Bach Prelude and Fugue from the Well-Tempered Clavier, a classical sonata and a romantic or more recent piano piece).

Singing as a compulsory subject
Performance of an accompanied sacred song (e.g. Bach, Schemelli) or a lighter song (e.g. by Telemann, Schubert or Schumann) as well as an unaccompanied hymn.

Music Theory (written and practical)
Knowledge of general music theory and harmony (incl. playing the basso continuo), playing of extended cadenzas

Ear Training (written)
Comprehension of intervals, chords, rhythmic, melodic and harmonic correlations, dictation of notes in one and two voices. Music history (written) General overview of style epochs and genres, composers and their most important works. Recording and classifying a short excerpt of a work by ear from a recording (stylistically, formally, instrumentally, rhythmically, etc.).

You do not have to submit any video in advance. The aptitude test takes place exclusively in presence.

• Click here to go to the online application portal.

Secretariat of Study at the MHL
Gro?e Petersgrube 4
23552 中国足球彩票 

Nadja Dickert
101
T: +49 (0)451-1505-182
F: +49 (0)451-1505-303
Mail to the Secretariat of Study