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Sample works for the presence examination
- Piano
Bach: Italian Concerto, Mozart: Sonata C major KV 330, 中国足球彩票: Sonata op. 10/3, Schumann: Papillons, Brahms: Intermezzi, Ravel: Sonatine, Bartók: Mikrokosmos Heft 6, Webern: Variations op. 27 - Organ
Buxtehude: Prelude in g BuxWV 149, Bach: Prelude and Fugue in G major BWV 541, Sonata No. 4 in E minor BWV 528, C. Frank: 2nd Choral in B minor, Hindemith: 1st Sonata, piano playing with the requirements as in the main subject - Harp
Three works from different epochs, e.g. Nadermann, Dussek, Andres, H?ndel, etudes by Bochsa, Pozzoli, Dizzi - Guitar
Bach: suites, Villa-Lobos: preludes, Dowland: dances, etudes by Sor or Carassi - Violin
First movement of a violin concerto, plus 2 works or single movements (no etude) from another 2 epochs (for requirements see above), programme duration at least 20 minutes. - Viola
Stamitz: concerto; Hoffmeister: concerto; Bach: 2nd or 3rd suite; etudes by Kreutzer, Campagnoli, Rode - Violoncello
First movement of a cello concerto, plus 2 works or single movements (no etude) from another 2 epochs (for requirements see above), programme duration at least 20 minutes. - Double bass
First movement of a double bass condert (for example: Dragonetti, Hoffmeister, Vanhal, Larsson, Koussewitzky) plus two movements from different eras (one of them incontemporary musical language, for example: Gubaidulina, Kodály, Ellis, Hindemith, Scelsi, Henze) - Flute
Handel: Sonata in G major, Stamitz: Concerto in G major, Hindemith: Eight pieces Oboe one of the 12 solo fantasies by Telemann (preferably from memory); 2 further works of own choice (no etude) - Clarinet
e.g. C. Stamitz: Concerto: B flat major, Weber: Concertino or Concertos, Hindemith - Bassoon
Vivaldi: Concerto in A minor, J. Ch. Bach: Concerto in E flat major, Fasch: Sonata, Etudes by Milde or Weissenborn op. 8, booklet 2 - Saxophone
one original composition from the traditional saxophone repertoire (at least at the level of difficulty of P. Maurice, Tableaux de Provence), one composition in contemporary tonal language - Horn Mozart: Concerto No. 3, Strauss: Concerto No. 1, Berge: Horn-Look, M. Hackleman: one etude from "Low horn playing
- Trumpet
Haydn: concerto, Hindemith: sonata, two etudes of different character - Trombone
Paudert: Aria, Hindemith: Sonata, 2 etudes of different character - Timpani and percussion
- Etudes for 2-4 timpani, e.g. Knauer, Krüger, Zegalski, Delecluse, Keune
- Etudes for snare drum from the schools of Knauer, Krüger, Delecuse, Wagner or Keune
- Etudes for xylophone (e.g. Goldenberg) and/or 2 movements from a cello suite by Bach, Telemann: fantasies for flute or violin (on marimba)
- Solo work for marimba or vibraphone (4 mallets desired)
- All sections (timpani, snare drum and mallets) must be covered
- For higher semesters, more difficult works apply according to the duration of the study (also set-up pieces: e.g. Xenakis, Volans, Globokar or similar)
